一本目 (Ippon Me) 前の敵 (Mea No Teki) / Enemy to the front ruclips.net/video/tbIy8BPofgI/видео.html 二本目 (Nihon Me) 右の敵 (Migi No Teki) / Enemy to the right ruclips.net/video/tbIy8BPofgI/видео.html 三本目 (Sambon Me) 左の敵 (Hidari No Teki) / Enemy to the left ruclips.net/video/tbIy8BPofgI/видео.html 四本目 (Yonhon Me) 後の敵 (Ushiro No Teki) / Enemy to the rear ruclips.net/video/tbIy8BPofgI/видео.html 五本目 (Gohon Me) 直前の敵 (Chokuzen No Teki) / Enemies just in front ruclips.net/video/tbIy8BPofgI/видео.html 六本目 (Roppon Me) 後前の敵 (Ushiro Mae No Teki) / Enemies to rear and front ruclips.net/video/tbIy8BPofgI/видео.html 七本目 (Nanahon Me) 左右前の敵 (Hidari Migi Mae No Teki) / Enemies left, right, and front ruclips.net/video/tbIy8BPofgI/видео.html 八本目 (Happon Me) 一刀土壇 (Itto Dodan) / Single stroke execution ruclips.net/video/tbIy8BPofgI/видео.html www.toyamaryu.org/Toyama_Kata.htm
The zanshin is clearly displayed at the end of each kata. Before the chiburi he brings the sword to the opponents neck level and remains ready to go again if necessary. Zanshin can also be seen as the sword goes into the saiya slowly at the end ready to draw again.
nah you don't do that during real battle. Plus there are only a handful of reports of officers actually using the sword during battle, most just used it to execute prisoners (as seen in kata #8 Happon me)
@@shotoman300 Sometimes the timing of the cut is not synchronized with the timing of the footwork, which is a thing generally lacking in iai/batto arts that don't have the context of combat present anymore. You see this problem sometimes even in high ranked practitioners. If your feet (Cutting step) moves before your cut, not only you are telegraphing your intention, you are putting yourself in distance of danger without leading with your blade. You have to lead with your blade and let your feet follow through, as your hands move quicker than your whole body. There's some Toyama-Ryu schools that do free sparring and maybe those have a special attention towards these details, but not all do. Nonetheless, this was still *very well* executed, and the dynamics of the cut were precise and smooth. It would cleanly cut flesh targets, which is what these Kata ultimately aim to do.
Excellent swordsmanship! I would love to practice with you one day!!
That's exactly how I was taught it. Thank you!
Names of each kata please?
From what I remember they don’t have names, just called by number
一本目 (Ippon Me) 前の敵 (Mea No Teki) / Enemy to the front ruclips.net/video/tbIy8BPofgI/видео.html
二本目 (Nihon Me) 右の敵 (Migi No Teki) / Enemy to the right ruclips.net/video/tbIy8BPofgI/видео.html
三本目 (Sambon Me) 左の敵 (Hidari No Teki) / Enemy to the left ruclips.net/video/tbIy8BPofgI/видео.html
四本目 (Yonhon Me) 後の敵 (Ushiro No Teki) / Enemy to the rear ruclips.net/video/tbIy8BPofgI/видео.html
五本目 (Gohon Me) 直前の敵 (Chokuzen No Teki) / Enemies just in front ruclips.net/video/tbIy8BPofgI/видео.html
六本目 (Roppon Me) 後前の敵 (Ushiro Mae No Teki) / Enemies to rear and front ruclips.net/video/tbIy8BPofgI/видео.html
七本目 (Nanahon Me) 左右前の敵 (Hidari Migi Mae No Teki) / Enemies left, right, and front ruclips.net/video/tbIy8BPofgI/видео.html
八本目 (Happon Me) 一刀土壇 (Itto Dodan) / Single stroke execution ruclips.net/video/tbIy8BPofgI/видео.html
www.toyamaryu.org/Toyama_Kata.htm
@@CGIConvMode Thank you so much
@@CGIConvMode 🙏🙌
Though did toyama ryu iai get rid of zanshin altogether?
The zanshin is clearly displayed at the end of each kata. Before the chiburi he brings the sword to the opponents neck level and remains ready to go again if necessary. Zanshin can also be seen as the sword goes into the saiya slowly at the end ready to draw again.
I guess there was no reason for the Japanese Imperial Officer to sit Seiza
nah you don't do that during real battle. Plus there are only a handful of reports of officers actually using the sword during battle, most just used it to execute prisoners (as seen in kata #8 Happon me)
@@crocketgsxr6 right
good video when playing speed 2 :)
ignorant fool.
Obviously muratynn is not a practitioner of Battodo. The kata were performed with excellent timing and precision.
@@shotoman300 Sometimes the timing of the cut is not synchronized with the timing of the footwork, which is a thing generally lacking in iai/batto arts that don't have the context of combat present anymore. You see this problem sometimes even in high ranked practitioners.
If your feet (Cutting step) moves before your cut, not only you are telegraphing your intention, you are putting yourself in distance of danger without leading with your blade. You have to lead with your blade and let your feet follow through, as your hands move quicker than your whole body.
There's some Toyama-Ryu schools that do free sparring and maybe those have a special attention towards these details, but not all do.
Nonetheless, this was still *very well* executed, and the dynamics of the cut were precise and smooth. It would cleanly cut flesh targets, which is what these Kata ultimately aim to do.